By Mark Mattern
I'm a scholar of Mark Mattern at Baldwin-Wallace collage. This publication offers a few perception into a space of Political technology that doesn't mentioned in educational literature. A needs to learn for Political technological know-how majors round the nation.
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Extra info for Acting in Concert: Music, Community, and Political Action
9. See Brasseaux (1992, 100) for a brief discussion of negative portrayals of Cajuns in national media. " 10. See, for example, Esman (1985, 51,56). This is consistent with the findings of Harald Eidheim (1970), whose study of Lapps living in Norway also indicates that a common response to ethnic stigma is to avoid revealing the stigmatized traits in public or even avoiding public encounters in the first place. 11. The translation is by Ancelet (1992a). 12. See Louisiana Cajun French Music Association: Laisse le bon temps rouler, vol.
For example, in 1985 opponents of Pinochet dropped several hundred balls from the tall buildings facing Paseo Ahumado, a crowded pedestrian mall in downtown Santiago, each with a picture of Pinochet on it. Pedestrians enjoyed kicking the balls around, as police scurried to retrieve them. 47 48 See Chavkin (1989, 277-78) for a brief description of this process of politicization during the early and mid-1980s. 21. Some of these musicians and groups attained international recognition and popularity, Inti-Illimani found itself at one point competing in Italy with the rock group Pink Floyd for top position on the sales charts (Cifuentes 1989, 233).
Ann A. Savoy (1984, xi) argues that "describing Cajun music would be like summarizing . . " 3. For excellent histories of Acadian settlement, dispersal, resettlement, and development in Louisiana, see Carl A. Brasseaux (1987, 1991, 1992). 4. See, for example, Brasseaux (1987, 147) and Marjorie R. Esman (1985, 104). Â < previous page < previous page page_157 page_158 next page > next page > Page 158 5. See Barry Jean Ancelet (1989) and Robert Gilmore and Jeanne Gilmore (1970, 1977) for collections of songs whose lyrics reflect Cajun history.